The Meadows

The Meadows by William Langson Lathrop, 1897
The Meadows by William Langson Lathrop, 1897

This artist is from Illinois, which explains why the landscape is familiar and home-like to me. Illinois isn’t very far off from Wisconsin. In its sparseness I find comfort. It is simple, not too bright to dazzle me, and not too dark to sadden me. I like the puddles and the straight horizon. I like the two tall trees on the fenceline. I even like the cows, probably because they are just two cows and don’t seem to be the most important thing here.

What is important? If you don’t mind, I’d like to tie in some homeschooling thoughts here. What is important is the stretch of meadow, the expanse to walk through. It is important to have puddles to splash in, and equally important to have dry spots interspersed so you don’t always have to be in the water. Like school, this expanse is regular enough to not be scary and rugged enough to provide special experiences. There is a gate to head toward. There are some things around to attract your attention when you get bored with the puddles. But most of all, the education is the whole expanse you walk through. There’s that gate, but no brick path with arrows. There’s the fence, but lots of space. There are slow, chewing creatures around, and maybe in my metaphor, they are like me, the teacher, and mostly I just watch the student and moo at him occasionally, keep my eye on him, walk toward a new clump of meadow and see if he will follow me there.

I am often more rigid than that, but lately, I’ve been feeling like that meadow-approach is better than other approaches.

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